An Australian artist's impulsive act has sparked a remarkable journey of historical restoration. Mick Slocum's mission to revive Victorian-era post boxes is a labor of love that has captivated many.
With nearly 200 post boxes across Victoria, Mick's passion project is an ambitious endeavor. As a former member of the Bushwackers band, he brings a unique energy to this endeavor. Dressed in a tartan three-piece suit and a straw boater hat, he transforms into a time traveler, bringing the past to life.
It all began with a simple impulse. Mick, while on an anti-graffiti campaign, cleaned off graffiti from a pillar box. This spontaneous act led to a deeper connection with history. He realized the potential to restore these colonial-era postboxes, known as pillar boxes, to their former glory.
But here's where it gets controversial... Mick's method is old-school. No modern tools for him! He scrapes, scratches, and paints, bringing each pillar box back to its original vibrant colors. It's a slow and meticulous process, taking days or even weeks for each restoration.
And this is the part most people miss... beneath the dull red paint, there are secrets waiting to be uncovered. Each scrape reveals a hidden layer, a glimpse into the past. Mick has discovered fascinating finds, like a delicate golden crown, likely painted for Queen Elizabeth's visit in 1954. Imagine the stories these boxes could tell!
However, the decline of traditional post boxes is a sad reality. With the rise of digital communication, these historic boxes are becoming rarer. Mick's work is a testament to the importance of preserving our heritage.
Mick's dedication has earned him recognition. In 2025, he received a National Trust conservation award for his work in Ballarat. His impact on the community is evident, as he brings joy and a deeper connection to our shared history.
With 70 pillar boxes restored and 100 more to go, Mick's journey is far from over. But his passion extends beyond post boxes. He already has his eyes on his next project: restoring electricity boxes from the 1920s and 1930s. It seems there's no stopping this artist's quest to bring color and creativity back to our streets.
So, what do you think? Is Mick's work a valuable contribution to preserving our heritage? Or is it a labor of love that might be better spent elsewhere? I'd love to hear your thoughts in the comments!
